I went to the theater del corrida this evening. It wasn’t too far from the beach, as nothing in Malaga is far from the beach. This is a beach town, water, sand, and sun. I stood in the center of the city, earshot from the waves and watched as Spaniards traversed towards the roofless structure. Sun baked the populous running inside the amphitheater, making the areal view what I imagined look like rice pouring backwards through one side of an hourglass. I wasn’t really paying attention to the areal view, as the amphitheater has no roof. I was looking at skin, naked, satiated, shining. People clamoring for a space and running and grabbing one another in excitement.
There would be a bullfight today. The first in a while, as this is summer, the offseason.
I crossed the street and joined the clamoring filtering frenzy and stood in awe of what reminded me half of a Greek Orpheum, half of Yankee stadium. But this was Spain. The dazzling sun reflected against small gold flecks sewn into the red and yellow that displayed three stripes flourishing in a wind that still smelled of sea spray at this, the sun lit evening.
I looked around (quite literally) the cornerless dimensional icon that I had entered. There was a shadow to my right side, and that side was full, women clutching albanicos, children clutching each other, men clutching opened cruzcampo’s. The right side was full to capacity; people sat in the shade and stared to the center, a perfect sand circle empty-ready for the main event.
To my left as the audience who sat sparsely scattered the sun sat as well. In the old days these would be considered the cheap seats. Of course this is common sense. The heat was oppressive to this side, as beautiful as it was.
I grabbed a seat on the stairs, a couple feet away from the outskirts of the shadow provided by the ingenious architecture.
The show began. Horses donned in Spain’s flag and outrageous and beautiful adornments rode into the sand circle, pulling a chariot-like wagon, carrying trumpeters and clarinetists. I couldn’t see the drummer, but I could hear him. The music sounded like a mix of Ravel and The Godfather (2) and in my moment of American isolation and awkwardness, I pictured Robert Deniro climbing rooftops in little Italy, breaking up a gun…
The music was eclipsed by the sound of the adoring audience, as the matadors took the stage. There were 5 in all, dressed well, sleek; their bodies slight yell well built, their costumes garish and immaculate.
They waved and shucked, the crowds gave and they took. Their flare for the theatrical would have been considered effeminate at home. But here, amidst the salt air and red and yellow banderas, these men were rock stars, movie icons, machismo at its most brazen and desirable, I gathered from the sighs and coos drawled from young supple females in a slightly audible Andalucía tongue.
3 of the matadors had pink frocks-they held them and tossed them about in the light, even before the bull came thundering in, to applause and screams.
2 of the men had red frocks, I laughed to myself thinking that they sure were in trouble.
The bull was released into the circle; a kind of bounding confusion in his step-he jumped and bucked and ran all at the same time, and then stopped for a moment as if to get his bearings. He looked around-there were the 3 men with pink frocks at different parts on the outer fringes of the circle standing behind podiums strategically placed in the circle- chose one, and ran at him in a non-chalant teasing kind of way, and then, realizing that the shade was on the other side of the circle, trotted over to the crowded seats, but not before taking another half shot at another pink frock twirling directly across from me. The bull looked to be enjoying himself for about 4 minutes. From the beginning it was obvious to any onlooker that the animal was startled by the environment, but it seemed like the matadors who taunted the animals were doing so lovingly, playfully, and the animal was just following suit. When you watch something like this at first, you are more than aware of the obvious and immense danger that can erupt at any possible moment.
This is no house pet, or trained circus animal. This is El Toro, the bull. At least 900lbs of confused muscular fury crowned with 2 sharp elephantine horns that lead with every charge of the animal’s movement. This is a creature to be reckoned with, deserving of all allure and respect and fear that it garners.
This animal appears on the waving Bandera atop the amphitheater, it sits in the center of the 3 stripes.
There were some turns like this. The animal allowed itself to be toyed with, and toyed with the matadors with effeminate frocks. The audience shouted and the matadors put on a show. During the initial time, they ran around relentlessly, and there was palpable fear in their movements; there were times when a hesitation by a matador was accompanied with a slightly audible yelp, or a grunt that followed a jerked, dodgy gesture. The bull was dangerous, after all.
The sun moved slowly but deliberately in the sky, providing a bigger shadow and more comfortable seating so the crowd spread itself toward the sunny side of the theater. The bull followed suit. The animal was a bit closer to me now, and I could see from its labored panting and limp tongue that slapped the side of its face that it was quite fatigued.
The crowd applauded. The animal took a breather.
The men in pink gave way to the matadors in red.
The two men with the red frocks rushed in, jiggling their bright smocks in the tired animal’s face. His tongue swayed, snot flew from his pierced nose, but still he played along. As close as the matadors were, not once did the animal go after them, just the frock. The jeering was a team effort, like watching horse and trainer. In my naivety I read some affection between the two, as if the matadors weren’t really going to do what everyone in that amphitheater except me knew they were going to do when the dance was over.
The men in red had swords. I watched their dance; filled bravado became more balletic-hands held in por de bras, toes pointed on the end of an outstretched leg. In the left hand remained the frock. From it was pulled a long sharp nevaja, a sword long enough for killing, but not an animal of this size. The matadors waved their frocks in the face of the creature again; lunging and pleyaying, giving some kind of artistry to the macabre dance that would signify the end of the animal’s play time. As animal and matadors fell into a routine, the men in pink came out of nowhere, holding 2 giant party favors. As the men in red distracted the beast again, the men in pink stabbed the animal in the back with the party favors.
Now the bull lashed and bucked, tossed, trying to dislodge the sharp party favors that hung from the muscular skin right above its vertebrae, and would stay for the rest of its short life.
The crowd is impressed. Shouts of “Ole!!” resonate around the circle, like an audible “wave” that would appear at any sporting event with dignity.
I learned recently that the shout, “Ole” originated from the ancestors of these Andalucía’s- the Arabs that enjoyed the bullfights of old would shout, “Allah!” when they saw something unbelievable. The progress of years and differences of location and dialects have turned Allah into Ole.
All of the party favors (two for each of the men in pink frocks) have found their way into the bull’s massive spine.
The primary matador takes his place in the ring, sword shining, in a stance reflecting conquest-very Spanish, very conquistador.
He comes closer to the animal, which looks tired, and completely defeated, and it seems as if they make a deal-one more go around. The matador holds his red frock out, and Toro, badly bruised, bleeding and exhausted, charges one last time, never touching the matador, and never once looking like we wanted to. I think that is what saddened me the most that the beast was so docile, even in the last seconds of his life. Never once did he appear to want to harm any of the men that taunted and stabbed him.
Towards the end, he collapsed out of exhaustion. All the matadors gathered around him, as he sat, as if in a meadow, staring out, waiting.
The head matador took out a knife, closed in on the animal and plunged it into the beast’s neck, right where the spinal chord attaches itself to the brain stem. The first try was unsuccessful. The beast bucked as the knife was extracted for the second try. The second try was as well unsuccessful, now the audience grew impatient and began to boo, began to encourage the matador to end the beast’s life.
I don’t know if it was out of sympathy or brutality, but I too, wanted it to be over.
The third stab was successful I am sure, as Toro made a curdling sound and a bleat, and then collapse into a death rattle.
The crowd cheered. The matador bowed. The horses came back into the ring and the other matadors attached the bull to the chariot and dragged his dead body around in a circle before leading it outside to the slaughterhouse.
Ole.